Showing posts with label says. Show all posts
Showing posts with label says. Show all posts

Friday, October 22, 2010

Two awards for Singapore film

Two awards for Singapore film

The Singaporean film, Sand Castle , won Best Feature Film and Best
Director at the Vietnam International Film Festival in Hanoi which
concluded on October 21.


Sand Castle tells the story of a
family in Singapore which head of the jury board Australian director
Phillip Noyce says represented many families and described a period in
the country's history.


Ten films in the "In Competition Programme",
with various styles and genres, from eight countries in East and
Southeast Asia , created a portrait of special and modern societies and
helped draw international filmmakers to the region, Noyce says.


"Five days of screenings allowed us to view the finest of new Asian,
Vietnamese and French films, while also affording an overview of
independent contemporary cinema."


The jury for feature films
gathered filmmakers, including Francois Catonne from France, Marco
Mueller from Italy , Kang Soo-yeon from the Republic of Korea
and Dang Nhat Minh from Vietnam .


"Congratulations on the first
edition of the festival," Kang says. "A film festival is more than just
screening films from other countries, but sharing various cultures and
understanding their differences."


Best Actress prize went to two
contenders because of their excellence: Nhat Kim Anh of Vietnam and
Fiona Sit of Hongkong ( China ).


"To play my role in The Fate
of a Songstress in Thang Long, I had to learn a lot," Anh says, "such as
playing a 16-chord zither, singing ceremonial songs and expressing the
character's inner feeling through crying with only one eye.

"I felt I grew up in this film and I'm proud of the role," she says.


The Documentary and Short Film Jury included Matthieu Poirot-Delpech
from France , Juhani Alanen from Finland , and Vietnamese director
Bui Dinh Hac.


"I really like Asian short films," says Alanen. "For
me, Asian short films are windows to Asian countries. They tell me
something about Asia that you cannot find from news or television."


They granted the prize to the Vietnamese documentary Always Beside You, a debut for young director Nguyen Thi Kim Hai.


The festival focused on East Asian and Southeast Asian films and
attracted filmmakers, producers and businessmen from 30 countries and
territories./.

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Thursday, October 14, 2010

‘Visual diary' salutes Hanoi

‘Visual diary' salutes Hanoi

As Hanoi approached its 1,000th anniversary, painter Nguyen Cam
travelled from Paris to celebrate this momentous historic
celebration of passing time with an exhibition at Art Vietnam Gallery.


All of the pieces Cam has included in the Traces of Memory exhibition are mixed media on canvas created using dark colours.


Calligraphic musings and bits of jute, votive papers, ginkgo leaves,
tea bags, and other distinctly Vietnamese elements are scattered over
fractured landscapes to give the impression of a visual diary.


All of the materials he used to create his paintings are symbolic, he
says. Ginkgo was the first tree to grow in Hiroshima after the bomb.
The plant inspires Cam as a symbol of power, vitality and eternity,
while tea bags express the changes of time.


"Everyday I
drink tea, in a silent and thoughtful space. I realised that the colours
and textures of the tea are never the same. I see it as similar to our
daily lives: each day is different," he says.


The artist
left the country for France when he was very young and he returns
with the solemn, wizened perspective of a man whose life has been pushed
and pulled, torn and mended.


"As Cam approaches the
autumn of his life, having escaped a near brush with death, a heightened
intensity and awareness of the preciousness of each and every moment is
ever present," says Suzanne Lecht, director of Art Vietnam Gallery, the
painter's close friend.


Ever mindful of the beauty of
movement, the artist methodically pursues his future, honours his past,
reveres the present, and exposes injuries accumulated along the way, she
says.


"I feel an intensified freedom when I return to
Vietnam , the country of my childhood and birth," Cam says. "Certainly
returning home, that physical place which creates the landscape and
language of our spiritual home, is life giving. It inspires me to delve
into the deep recesses of the mind and heart where a solace that helps
to face life's vagaries might be found."


The exhibition will run until November 5 at Art Vietnam Galley, 7 Nguyen Khac Nhu Street , Hanoi./.

Movie distributor brings films to remote rural areas

Travelling to small villages in remote and mountainous regions is a hard
task at the best of times, but for members of a mobile film-screening
team based in HCM City , it is a full-time job.


"People usually come early to the film shows, sit on the ground to
watch, and stay until late," Vu Trong Tuan, a member of the three-strong
team, says.


"Their enthusiasm is our main source of encouragement."


The screenings are arranged by the State-owned Saigon Cinema Corporation for whom Tuan has been working for 35 years.


Documentary and feature films on the struggle for liberation, like
Duong Ve Que Me (Travelling Back to Native Land) and Vi Tuyen 17 Ngay Va
Dem (The 17th Parallel, Days and Nights), and cartoons are the most
commonly screened.


The team goes on its mission come
rain or shine. Planning a trip sometimes takes time, especially when it
is to a place that does not have electricity and generators are
required.


Once there, however, the crew will stay for a week.


"The team has a jeep. But many times we go on motorbikes to villages surrounded by mountains and forests," Tuan says.


"Often we have to wade through knee-deep brooks that cross muddy roads.


"We can get wet when it rains but our projector, films, and other equipment must be carefully protected."


Many times the team arrives late in the afternoon. "We may not have
time for dinner. But we must prepare for the film show quickly because
people are waiting," he says.


"We work forgetting
our hardship because the viewers get so much enjoyment from it and
because we are warmly received," Dang To Ha, the head of the team, says.


Ha has also worked for 35 years.


The films are usually screened in the yards of schools and
administrative offices or meeting places for the region's various ethnic
peoples.


The audience usually arrives several hours
before the show's 7pm start. Often, the shows last past midnight as
viewers ask for more screenings.


"Many poor ethnic
people in remote areas in the Central Highlands may never see films," he
says, adding it is moving when people inquire when the team will be
back.


Since 2006 alone the team has shown more than
400 cartoons, feature films, and documentaries to audiences totalling
over 300,000.


It has received many certificates of commendation from HCM City authorities for its efforts./.

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Saturday, September 11, 2010

Remembering old Nha Trang

The central coastal city of Nha Trang has long been famed for its
beautiful palm-fringed beach, breath-taking vistas and succulent
seafood. But if you're bored with lazy days by the beach, Nha Trang Xua
(Old Nha Trang) is the place for you.


It's hard to believe
the resort, which occupies 2ha in Thong Thai Village at the foot
of Giang Huong Mountain , is just 3km from the chaotic city
centre.


The resort has 11 bungalows nestling in a field of
rice. The air is scented with the sweet smell of lotus flowers, and a
gentle breeze wafts your cares away.


The resort is owned by Truong Dinh Ngoc Yen, a Nha Trang-born woman, who loves peace and quiet.


"I used to spend a lot of time living with my grandma in the village when I was a child," she says.


"Later, I went to university in Nha Trang, before opening a business in
the bustling city. However, I always longed for the peaceful atmosphere
that I remembered from my childhood.


"I love seeing
small birds pecking at food on the ground. I have always dreamt of
building a small secluded garden like my mum's. My childhood is full of
fond memories."


She followed her dreams and bought a small plot of land which she turned into a picturesque garden.


Visiting friends urged her to open the garden to the public, so she established Nha Trang Xua in 2009.


In the beginning it was just a small garden and a food court. But even
then, about 200 people would visit daily – three times that number on
the weekends.


To create a local atmosphere, Yen has bought
plants native to the area to her garden. There are also vegetables,
fruit trees and herbs.


"The resort reminds me a lot of my
grandparents' house in Vinh Phuong Village 30 years ago," says local
resident Huynh Phuong.


"Every corner of the resort is a
reflection of different parts of Nha Trang in days gone by. The wet
yin-yang roofed house in the middle of the garden, the pond, the mossy
brick path."


Yen has relocated houses dating back 100 to
300 years to the resort, which now comprises 11 houses; a food court
capable of accommodating 250 diners; a food centre for package tourists
and formal functions, which has a capacity of 700 guests; and a
seven-room hotel.


The restaurants offers more than 100 traditional local dishes, which are served authentically.


"The resort is unique, local but professionally run," says Bui Minh
Thang, director of Phuong Thang Tourism Company. "Nha Trang lacks places
like this. It gives visitors an incite into local culture."


However, Thang says the owner should advertise the place better to foreign visitors and provide better car-parking facilities.


But these shortcomings do not put off Beth Keyser from Australia .


"I like the small cosy and nature-friendly atmosphere of the resort,"
she says. "I have stayed in similar places in Thailand , but here, I
feel like I'm experiencing Vietnamese life as it was in the early 19th
century. All the furniture inside the old house is authentic."


Yen says she wants visitors to feel like they are in a time warp.


"I want visitors to see a different world, to escape from the hustle
and bustle of city life and return to the old peaceful days when people
had time for one another. I want people to hear birds singing in the
morning, smell the scent of flowers and discover themselves, something
that can only happen in a place of quietness and harmony," she says.


Lovely as the resort is, Yen is not happy – she has expansionist plans.


"I want to relocate more old houses so that I can host wedding parties.
I love to imagine a wedding procession proceeding down the path in a
field of mature rice," she sighs./.

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Monday, August 23, 2010

Planners strive to save Hanoi's trees

The words of a popular Vietnamese song about Hanoi celebrates the
city's tree-lined streets in autumn – "bright yellow celtis, tropical
almonds with red leaves standing next to each other; old streets and
ancient houses with brown tiled roofs."


Written by
late composer Trinh Cong Son, one of the most popular song writers of
the 20th century, Nho mua thu Hanoi (Missing


Hanoi in Autumn) has for decades provided an iconic image of the capital.


The words have been imprinted on the minds of every true Hanoian – and those who have visited or long to see the city.


The presence of old trees shading and colouring the capital's streets has inspired dozens of songs about Hanoi .


However, the lack of a master plan for the protection of road-side
trees and poor management methods continue to threaten the very fabric
of the city.


Nguyen Duc Manh, from State-owned
Hanoi Park and Tree Company's Planning and Technique Department,
says no specific research has been conducted on street trees, although
they make up a major part of the city's green areas.


Associate Professor Dam Thu Trang, dean of the Civil Engineering
University's Landscape Architecture Faculty, says tree numbers and
locations are recorded in a haphazard way and that "digital technology
should have been in place by now."


More than 44,000
trees, belonging to 70 species, shade hundreds of roads and streets in
central Hanoi . Many of them are more than a century old.


Andreas Jarfe, an arborist from Germany , says he is amazed by the greenery in Hanoi .


"Street trees in Hanoi are beautiful, old, unique. I know all the
names of the trees in Germany but not many here," Jarfe says.


Duong Duc Tien, a biology professor, says many of the city's trees, often overlooked by Hanoians, are rare and valuable.


Despite the continual loss of trees due to urbanisation, their number
has risen gradually year by year, says Manh, adding that there were
about 42,000 in Hanoi 's nine districts ten years ago.


On average, the city plants between 1,500 and 2,000 new trees a year,
and spends about 4 billion VND (210,000 USD) annually maintaining them,
Manh says.


To boost survival rates, the municipal
People's Committee on July 1 raised the special care period for newly
planted trees from two to five years.


Meanwhile, mature and established trees are inspected and pruned monthly or quarterly depending on their condition.


Trang says the effort expended by city officials and the Hanoi Park
and Tree Company to maintain Hanoi 's trees is "tremendous".


Despite urbanisation, Pham Van Khanh, deputy director of Hanoi 's
Natural Resources and Environment Department, says every effort is made
to keep the city green. "Wherever possible, new trees are planted along
the city's streets," Khanh says.


However, despite the valiant efforts of the authorities, street trees struggle to survive in the modern age.


"Trees in Hanoi face far greater problems than their cousins in
developed parts of the world," Trang says. This is because of the
ever-expanding underground infrastructure of the streets, which limits
the choice of trees and makes planting difficult.


"I
can see Hanoi has a similar problem to Germany but more severe –
the trees are struggling because of the shortage of space for root
development," Jarfe says.


The narrowness of the many
short streets and inadequate coordination among different sectors have
also proved a challenge, according to Trang.


The
landscape architect said Hanoi 's streets were traditionally lined
with one or two species of tree. Now, she said, trees are planted almost
haphazardly and are rarely in keeping with the local architecture.


According to a Park and Tree Company report, typically 7 to 15
different tree species now line each of Hanoi 's street, and in some
places 18, instead of one or two only to make the street unique as it
used to be.


Renowned lyricist Hoang Hiep used to
walk along Nguyen Du Street hand-in-hand with his girlfriend. While
away from his beloved part of the city, he penned: "Nights full of the
fragrance of pulai [sinensix] tree blossom," for the song Nho ve Hanoi
(Thinking of Hanoi).


Similarly, Lo Duc street was
renowned for its tall dark-trunked thingan trees (hopea odorata), Ly
Thuong Kiet street for its flamboyant, Phan Dinh Phung, Le Thanh Tong
and Tran Hung Dao streets for their sau trees (dracontomelum), Tran Nhan
Tong street for styrax, and Ton Duc Thang Street for African Mahogany
(khaya senegalensis).


Despite their love for
Vietnam , Trang and Tien admit that Hanoi owes much of its beauty to
the efforts of the French a century ago.


Tree planting nowadays is in its infancy, and landscape design leaves much to be desired, Tien says.


Maintaining a city's arboreal integrity comes at a price – each tree
planted in a German city costs about 1,000 USD and takes between 15 to
20 years to mature, Jarfe says.


Although costs are lower in Vietnam and rainfall more plentiful, maintaining Hanoi 's 40,000 trees is no mean feat.


"The Park and Tree company has dozens of workers, but they cannot
cope," Tien says, adding that the best solution would be for the State
to join hands with the public.


It is a view supported by Nguyen Thi Ngan Giang, who lives on Quan Thanh street .


"Green trees have always been part of my street and my life. I would be delighted to help protect them," she says.


Trang says the State should hand over the trees it has planted to
local residents, who would then be responsible for their upkeep.


"If the trees belonged to the residents they would do their best to protect them," she says.


Tien believes if that stratagy is adopted, residents would be less
likely to nail signs to tree trunks, dump rubbish nearby, or hack away
at inconvenient branches.


Whatever city leaders
decide to do, Tien hopes with all his heart that urbanisation does not
come at the expense of Hanoi 's colourful heritage./.

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